Harris Dickinson Discusses the Intimacy and Vulnerability of "Babygirl" Sex Scenes
Harris Dickinson, the rising British star known for his roles in films like "The King's Man" and "Triangle of Sadness," has recently been generating buzz for his performance in the new film "Babygirl." Directed by Eliza Hittman, known for her unflinching portrayals of female coming-of-age experiences, the film explores the complicated relationship between a young woman named Alice (played by newcomer Eliza Scanlen) and her older boyfriend, Andrew, played by Dickinson.
While the film has garnered critical acclaim for its raw and honest depiction of teenage relationships, it has also sparked conversations surrounding the depiction of sex between a minor and an adult. In a recent interview, Dickinson delved into the complexities of portraying these intimate scenes, emphasizing the importance of nuance and respect for the story's sensitivity.
Navigating the Complexities
Dickinson acknowledged the inherent difficulties of tackling such a sensitive subject matter. "It's a complex issue, and it's something we all need to talk about," he said. "We were very aware of the responsibility we had in portraying this relationship."
He emphasized that the film's focus was not to glorify or sensationalize the relationship, but rather to explore the power dynamics and emotional complexities at play. "It's not about the sex," Dickinson said. "It's about the characters, their emotions, and how they navigate this complicated dynamic."
Building Trust and Intimacy
The actor stressed the importance of trust and open communication between himself, Scanlen, and director Hittman in creating the film's intimate scenes. "We worked together to ensure that everything felt safe and respectful," he explained. "Eliza [Scanlen] and I had a very honest and open dialogue about the scenes, and we always made sure to check in with each other."
He went on to describe the importance of building a strong foundation of trust with his co-star. "It's crucial to be able to communicate openly and honestly with your scene partner, especially when dealing with such intimate scenes. We needed to create a safe space where we could explore the characters' vulnerability without judgment."
The Importance of Nuance
Dickinson emphasized that the film's portrayal of the relationship is not intended to be simplistic. "It's not about good guys and bad guys," he said. "It's about complex characters making choices that have consequences." He acknowledged the ethical dilemmas that arise from the relationship, but he also argued that the film encourages viewers to consider the complexities of human relationships and the nuances of power dynamics.
A Conversation Starter
Ultimately, Dickinson believes that "Babygirl" is a film that will spark important conversations about consent, power dynamics, and the challenges of teenage relationships. "We wanted to make a film that would make people think," he said. "We hope that it will start conversations about issues that are often ignored or silenced."
By tackling a sensitive subject with sensitivity, honesty, and nuance, "Babygirl" has become a film that not only sparks dialogue but also showcases the burgeoning talent of Harris Dickinson. His performance, marked by vulnerability and a complex understanding of the character's motivations, further solidifies his status as a rising star to watch.